During my 25 years of experience as a professional On-Location Sound Recordist, I have created a variety of programs with a great number of DOP’s, from all of which I have learned workflows and assimilated shooting styles.

I am trained as an ABC News CAFF Broadcast Cameraman on professional equipment, and can offer this level of service and expertise.

Is it B-Roll, Specialist ‘Steadicam’ Gimbal work or Webvideos, I cater for a range of  production requirements.


Digital Cinema FullFrame 4K Sony Mirrorless Camera Equipment can produce a similar look and feel as many Flagship Cine Cameras, at a Fraction of the Size, Cost and Visual Impact On Location

Sometimes, Speed of Delivery, Effectiveness and Cost Control is of the upmost importance. Sometimes, this can mean to have another camera team on set, or to simply send an experienced One-Man-Band out to cover an Event while you’re busy doing other things. Or, you just want to deal with one person to take your hand from start to finish.

In most cases, I can probably help you get your project finished quicker, faster. A variety of fast quality prime and workhorse zoom and super wide angle stabilized lenses give you plenty of options for a range of styles and situations. Choice of top quality sound gear and ancilliary equipment, all promoting production efficiency and creating options.

Video Gear

SONY A7SIII  Digital Cinema FullFrame 4K

Offering an ISO range from 80-102400ISO, ‘The Low Light King’ A7S3 is a video focussed Fullframe mirrorless camera with fast reliable touch-screen eye autofocus and high bitrate internal video up to 600Mbps which allows up to 4K/120 internal without pixel binning. As a first for Sony ILCE, the A7S3 uses ‘Netfilx’ quality 10-Bit Intra video codecs with SLOG3 and Cinetone for exceptional dynamic range at fast readout speeds.

Further improving on handheld shooting with IBIS, the A7S3 also records gyro metadata for electronic stabilization.

The A7S3 received the DPreview Gold Award 2021.

LAOWA 9mm  f5.6 Rectilinear W-Dreamer

The Venus Optics features an amazing  135 degree fullframe angle-of-view with very tightly controlled distortion, making this lens choice for landscape, architecture, realestate or 360 work.

100mm square Filters can be mounted via an srew-on adapter.

Samyang 35-150  f2-2.8 super zoom

Samyang’s next generation zoom lens. Video friendly fast and sharp parfocal Superzoom, linear MF and Dolly functions, giving that extra reach in APSC mode (52-225mm equivalent). Short MOD.

New! RODE Wireless GO II

This latest ultra-compact dual channel wireless microphone system is a breeze to set up with any ILCE. Optional on-board recording for ease of mind. USB-C and iOS digital output for universal compatibility with cameras, mobile devices and computers.


The award winning fluid Video head features breakthrough Nitrogen piston technology to achieve fully continuous variable counterbalance from 0-8 kgs.
It uses a quick release system and adjustable long centre column for faster setup and adjustment speed. Whilst keeping size and weight to a minimum, the 755XB legs allow for a wide range of height setups and flexiblity in ackward terrain


Whether you have to deliver an exact script or like keywords to guide your delivery, an Autocue system is the professional tool to use for your longer pieces to camera. This allows even often nervous talent unfamiliar with the television production process to deliver in a natural, professional and relaxed manner with minimal training, whilst you minimize nasty ‘content’ surprises in the edit.


This Aputure Fresnel LED light was released most recently. Ideal Shaping / Backlight / Hairlight / Splashlight / Accent Light. Can be Camera-mounted. Very Cool 7500K ‘Ice’ Light, with optional filters, variable flood-spot 20-80 degrees, dimmable. High output 10000 LUX in 1m (full spot). Multiple power options, including USB. >96 CRI.

SONY A7Cm2  FullFrame 4K

Latest release Sony Fullframe A7Cm2 inherits the excellent 33MP 7K image quality of it’s bigger bretheren A7IV, but gains 7 CIPA stops of IBIS and improved autofocus and autoframing capabilities thanks to a new integrated Ai chipset. Can be remote controlled thus perfect for an unmanned 2-camera shoot. 4K 10-bit 4:2:2 S-Log3 and Cinetone options, Intra available, live streaming.


Outstanding sharpness and speed that can produce a very shallow Depth of Field and pleasant Bokeh that is difficult to achieve on smaller Sensor cameras

2x GODOX TL60  RGB LED tube

This new release multi colour fixture features remote control (&linking) via app. Full RGB / HSI control, Gel Filter modes, CCT 2700-6500K and FX. Battery and mains powered. This light tubes are relatively light and can be installed virtually anywhere.


With an ideal size for on-camera and gimbal operations, this superflat 4K-capable production monitor with swipe-OS provides a super sharp image and multiple production tools overlays, like focus peaking and false colours, and custom LUT support.


This recent release flagship LED features 888 high efficiency LEDs, with an outstanding color rendering index. Whilst being compact and robust, the Amaran packs an amazing equivalent of 600W @0.5m high lumen output. It can be fully remote controlled, and adjusted for an exceptional wide range of 2300-6800K without causing any color shift issues. Can be battery or mains powered. Comes with soft box.

NEW ARRIVALS  images tbc

3x DEITY TRX wireless Transmit / Receive Audio & Timecode & Recording capable units. Deploy as transimtters for Dual RX or Camera Hops.

2x DEITY ‘Buttplug’ style P48 transmitter recorders.

1 GODOX TL60 Varicolour LED with Beautydish and Umbrella. Can be battery powered.

Tilta Float Arm / Vest stabilizer system with gimbal yoke / collar


Ricoh Theta Z1  Dual Lens 360

The Z1 is considered the gold standard Oneshot 360 Camera for Realestate and Virtual Tours.  Can shoot HDR stacked multiexposures DNG for ultimate dynamic range and postproduction.

Kandao Qoocam3  Dual Lens 360

Latest compact modular 1′ sensor ‘action cam’ style camera captures  amazing 11K 62MP stills and 5.7K 360 Videos. Horizon stabilization. Various shooting modes (Hyperlapse, Slow Motion,..) for creation of inspiring content based on 360 source or 4K wide angle. Can be virtually mounted anywhere. Records GPS data via iphone app for Google Streetview integration

TAMRON 28-75  f2.8 Di III RXD

Lens of the Year 2018 (DPreview), the fast and versatile FullFrame Zoom is the A7iii’s Workhorse as it surprises with Macro-like capabilities opening up shooting opportunities. Acts as a  42-112mm in APSC mode.

TAMRON 17 – 28mm  f2.8 Di III RXD

This unusually fast wide zoom lens adds new dimensions to landscapes, architecture and interiors. With unrivalled superb image quality and portability, this lens offers a screw-on type front filter mount for improved gimbal performance, including fast & silent AF and macro-like minimum focus distance for improved creative versatility.  

Acts as a  24-36mm in APSC mode.


Latest DJI Model 3-axis stabilizer can easily cope with slightly larger payloads. Quick release camera, monitor and additional handle, which doubles as a stabilizer arm/vest attachment mount where extended periods of operation are required. Additional mounting options for radio mics etc. Fast AutoCalibration. Can be remotely controlled and customized. Panorama automation. Spheres. Timelapse. MotionLapse. Zoom Remote. Can be mounted on Tilta Float Arm / Vest for ‘Steadicam’ style rig 


Ultra portable and powerful motorized and remote controlled motion controller that can be used in all axies. Modules can be used separately (product turntable). Multiple keypose and Timelapse programming for stills and video.

There is a variety of accessories, backup recorders, microphones, stands, that are too many to mention. Most importantly, this kit will do most jobs, and offer redundancies to cope with the unexpected.


I have been working with various DOP’s in the Film and TV industry as a Sound Recordist for over 20 years, including a number of years as a ABC News Cameraman. I have worked for Realestate, Lifestyle Programs, Gardening and Science shows, News and Current Affair. I have seen and heard a few things.


Being On Set is a team effort. I like the day to go smoothly. Being proactive and knowing each others needs gets the job done faster and better.

  • B-Roll.
  • Lighting
  • Sound Recording
  • Camera Assist
  • Drone Operator
  • Set Design
  • OH&S Warden


Interestingly, you will will probably find my Video rates quite affordable, in fact cheaper than my Pro Audio packages. Why? Because I am using more affordable equipment in a smart and professional way that can deliver comparable outcomes to expensive cine gear.  And I pass this saving on to you. My rates haven’t changed in the last few years, whilst everything else has gone up. Why? I do this to promote and support our local film industry.


I’m here to build long lasting business relationships to mutual benefit.

I continuously reinvest into latest technology and equipment to offer you the best possible options.

I value OH&S principles and safety in the workplace.

All my production batteries are rechargeable, and there is quite a lot of them 😉

Standard Rates –  Video (SPC, Web, B-roll):

    $ask 4 hrs
    • standard gear:
    • Camera
    • Tripod
    • Lens Kit
    • on-Camera Sound
    $ask 8 hrs
    • standard gear:
    • Camera
    • Tripod
    • Lens Kit
    • on-Camera Sound
    $ask 10 hrs
    • standard gear:
    • Camera
    • Tripod
    • Lens Kit
    • on-Camera Sound
Please refer to Terms and Conditions for more details. Extras (equipment component) will be charged in day rates.

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